| The Meads of Asphodel | |
|---|---|
| Origin | Hertfordshire, United Kingdom |
| Genres | Black metal, experimental |
| Years active | 1998–present |
| Labels | Candlelight Records, Firestorm Records, Godreah Records |
| Associated acts | Worms of Sabnock, Gunslinger |
| Website | Official site |
| Members | |
| Metatron James Tait Urakbaramel Alan Davey |
|
| Past members | |
| Jaldaboath Max Rael The Mad Mullah Paul Carter Deorth |
|
The Meads of Asphodel are an experimental black metal band with pronounced medieval and Eastern influences from Hertfordshire in the United Kingdom.
Contents |
The band was formed in mid-1998 by Metatron and Jaldaboath (aka James Fogarty of Ewigkeit), the stated aim being to "create heavy guitar-based original Black Metal with Medieval/Eastern influences and a lyrical concept derived from Christ's mortality, Biblical Apocrypha, Fallen Angels and Death."[1] Their demo releases The Bemoaning of Metatron and Metatron and the Red Gleaming Serpent gained them a good deal of critical attention in the underground metal press, even receiving mentions from such mainstream sources as Kerrang! magazine,{http://www.spirit-of-metal.com/biographie-groupe-The_Meads_Of_Asphodel-id_bio-2147-l-en.html} and they soon signed to Supernal Music after the release of their widely acclaimed final demo The Watchers of Catal Huyuk. Their albums, particularly 2001's The Excommunication of Christ explore conceptual themes based around an anti-Christian interpretation of the Bible and Apocrypha. Despite a fluctuating line-up, the band continues to release well-received music. The band's most consistent feature is their use of often unusual guest musicians, including members of Hawkwind and a Rabbi.
|
|||||||||||||||||